"Эстетический режим" как форма определения власти

In the second half of the 20th century, the paradigmatic essence of art changes greatly. Modern art goes beyond the generally accepted language of expressiveness. Thus, it acquires a new measurement format and a new function. In this regard, the French philosopher J. Rancier proposes a new definition to contemporary art, designating it as an "aesthetic regime", and gives it the status of inclusion in the metapolitical scenario. In this scientific work, the research is conducted on the concept of "aesthetic regime" by J. Ranciere. The relevance of this scientific work lies in the analysis of the concept of "aesthetic regime" by J. Ranciere. He presents this model as a new visual "language" describing social reality. This makes it possible to explore the "aesthetic regime" of J. Ranciere in order to identify in it a political function and search for new methods of political regulation. Considering that the presented work introduces into the field of research new ideas about the "aesthetic regime" of J. Ranciere as a method of political regulation, the establishment of social connections and a common for all World. As a field of application of the results can be cited political theory, cultural studies and sociology. Thus, the practical application of the results is possible under the program of political, social regulation. Also, the conclusions of the work are significant for the development of a long-term strategy of modern political art.